The best conversations that come from this work are the unexpected ones — someone who stood in front of a painting for longer than they planned, or found themselves thinking about it later, or wants to understand something they couldn't quite name in the moment.
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If that's you, I'd genuinely like to hear from you.
I'm particularly interested in hearing from people with questions about Riot of Spring, curiosity about Transpectivism or the Transpective Tesseract project, or interest in the original work. If something in the practice has connected with something in your own thinking — about perception, consciousness, or the way we see — that's worth a conversation too.
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